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二 |     As artificial intelligence tools become increasingly accessible, concerns around misuse and consent are growing louder across the entertainment industry. Several actors have already voiced alarm over AI generated images that circulate online without permission. Now, actor Nivetha Thomas has added her voice to this ongoing conversation, issuing a strong public warning against the circulation of AI generated content that misuses her identity.A Firm Stand Against Digital MisuseTaking to her social media platforms, Nivetha directly addressed the issue, calling the creation and sharing of such images a serious violation of privacy. In a sharply worded note, she urged pages and users responsible for circulating AI generated visuals of her to remove the content immediately. She also appealed to the wider public to refrain from resharing or engaging with such material in any form, stressing that participation only legitimises an unethical practice.Nivetha described the misuse as deeply disturbing, unacceptable, and unlawful. She made it clear that her statement was being placed on record, and that anonymity would not shield those responsible. According to her, continued circulation of such content would be treated as deliberate misuse of her identity and could invite legal consequences. The message reflected a growing frustration among artists who feel exposed in an online ecosystem that often moves faster than regulation.          It has come to my attention that AI-generated images misusing my identity and a recent photograph I shared on my social media are being circulated online.The creation and circulation of such content without consent is deeply disturbing, unacceptable, and unlawful. It…     — Nivetha Thomas (@i_nivethathomas) December 17, 2025               Actors Push Back Against AI AbuseNivetha Thomas is not alone in raising concerns about artificial intelligence and its unchecked application. In recent months, several prominent actors including Shriya Saran, Aditi Rao Hydari, Keerthy Suresh, and Sai Pallavi have spoken openly about the harmful effects of AI generated images. Many of them have cautioned fans and social media users against participating in trends that cross ethical boundaries under the guise of creativity or admiration.Earlier this week, Sreeleela also shared a heartfelt message highlighting the darker side of technological advancement. Requesting social media users to stop supporting what she described as AI generated nonsense, the actor drew a clear line between using technology responsibly and abusing it. She pointed out that innovation is meant to simplify life, not create fear or insecurity, particularly for artists who already navigate intense public scrutiny.Sreeleela further argued that the misuse of AI is increasingly becoming a safety concern for actors, especially women, in the film industry. Her comments echoed a larger industry wide anxiety about deepfake content, manipulated images, and the psychological toll of losing control over one’s own likeness.Globally too, actors and creators have been demanding clearer legal frameworks to address AI related violations. From Hollywood strikes to public advisories by performers across industries, the message is consistent. Consent must remain central, even in the age of rapidly evolving technology.                                                                 View this post on Instagram          A post shared by SREELEELA (@sreeleela14)               Nivetha Thomas and the Road AheadOn the professional front, Nivetha Thomas was last seen in the Telugu film 35 Chinna Katha Kaadu, directed by Nanda Kishore Emani. The film also featured Arundev Pothula, Vishwadev Rachakonda, and Priyadarshi Pulikonda in key roles. Known for her grounded performances and thoughtful choice of roles, Nivetha has built a reputation for balancing mainstream appeal with strong content driven cinema.Her decision to speak up now underscores how personal and pressing the issue of AI misuse has become for actors. It is no longer a distant technological debate, but a lived reality that affects dignity, safety, and mental wellbeing. By publicly drawing boundaries and warning of legal escalation, Nivetha joins a growing movement of artists demanding accountability in digital spaces.As conversations around artificial intelligence continue to evolve, voices like hers are pushing the industry and audiences alike to rethink where innovation ends and exploitation begins.          Also Read: Nani resumes shooting for Tuck Jagadish。

三 | 本届赛事由北京市人民政府、中央广播电视总台、世界机器人合作组织、亚太机器人世界杯国际理事会联合主办。来自六大洲 16 个国家的 666 支队伍、2056 台机器人参赛，队伍数量较首届增长 138%，机器人数量翻了两番。

四 | 开幕式上，田径 100 米大型组预赛率先开跑。来自北京人形机器人创新中心的天工 Ultra 以 9.39 秒的成绩率先冲线，打破了博尔特保持的 9.58 秒人类百米世界纪录。而在去年首届运动会上，百米最好成绩仅为 21.50 秒。在开幕式 400 米田径大型组预赛中，天工机器人以 39.70 秒成绩位列第一（男子 400 米世界纪录是 43.03 秒），展现了出色的运动性能。在原地跳高展示环节，天工 Ultra 跳出 2.8843 米的成绩，同样大幅超越人类纪录（人类跳高世界纪录约 2.45 米为助跑跳，原地跳高纪录约 1.6 米）。相比去年冠军成绩 95.641 厘米，提升幅度巨大。另外同样是在 400 米大型组田径项目中，荣耀的人形机器人“闪电”以 41.95 秒的成绩冲线，同样打破该项目人类世界纪录。“闪电”曾于今年 4 月的人形机器人半程马拉松赛事中夺冠，本届运动会还将参加 100 米、1500 米等竞速项目。多项竞技赛取消人工遥控，全程全自主运行，真正考验人形机器人大模型感知环境、独立决策的综合能力。

五 | 开幕式运动员入场环节，80 台加速进化 Booster T2 人形机器人迈着整齐步伐，每一台都可独立运算路径、动态调整姿态，行进中还集体变换阵型拼出“BEIJING”字样。随后，50 台天工具身智能 3.0 机器人以整齐队列自主通过弯道，并完成高难度动作“托马斯回旋”；25 台银河通用轮式机器人 Galbot G1 组成的方阵，在家庭、零售、餐饮等场景中完成全自主的长程复杂连续任务挑战，其发布的灵巧手世界模型在全球首次实现机器人自主转笔等泛化手内灵巧操作。本届赛事赛项从首届的 26 项增加至 51 项，包含 30 项竞技赛和 21 项场景赛，共计 1301 场比赛。新增跳远、举重、拔河、乒乓球等高强度对抗项目；场景赛覆盖工业、物流、酒店、家庭、消防救援等领域，开展装配上料、家政服务、图书整理等赛项；还专门设置灵巧手赛项，包含粉末称量、镊子夹豆、开瓶撬盖等精细操作。国内方面，157 家企业、200 所院校和科研机构的 641 支队伍、1975 台机器人参赛，27 所 985 高校踊跃参与。国际方面，美国、德国、日本等传统机器人强国积极参赛，巴西集结了五支机器人足球世界杯冠军队伍组建国家联队。赛后“冰丝带”将打造为永久赛训基地，供各赛队日常训练使用。